Farming in Abandoned Subway Stations: Week 2, Session 3 — Tuesday, June 16, 2009
Considering how much we think we know about city, it often takes an outsider to come and show us something about it that is new to us. Sean Taber, an architect who recently moved to New York from Los Angles showed his ongoing underground study of abandoned, closed subways stations in New York. In the tradition of performing an intense, perhaps slightly forbidden kind of urban archeology as an analytical way to understand something about the complex “urb” of urbanism, Sean showed a collection of all closed underground subway stations he could find in this first generation research project.
What is most appealing about this is not only the preoccupation of a Manhattan foreigner with a dark, dank side of the underbelly of this city, but also the attraction to left-over spaces and the ambition to figure out how to save them and re-use them as new spaces. This double and contradictory view is in some way the curse of the architect – there is on the one hand an intense romance as a hungry voyeur peering through the tiny cut out window of the construction fence into the city in flux – urb fluxus – the city of construction and the city of decay and ruin – and on the other hand with our Machiavellian curse to always try both to conquer territory and then to make it – and even us — better, to always improve the city, the world with great justification. The face of the Romantic with the Mask of the Doctor. One has to wonder if this still works? As Wallace Harrison said to me when I started Metropolis Magazine in 1980, he gazed south out of his new office window in Rockefeller; he was 85, and said “…but Andy it looks like a good name but it was a bad idea and we failed.”
Sean Taber’s study touches on these kinds of questions through which this research of archeological urbanism can be directed as much more tangible evidence for an urban practice that that still lingering, unformed Manhattan Manifesto started in the book, Delirious New York, which once published was never taken beyond cartoon and caricature particularly back in the city. The Prada store, mostly a subterranean yawn, is so far away from Delirious New York. It is Dead Serious Shopping — further than far far away from the Romance with the Underbelly, the heat and heart of Manhattanism – raw, wild, rough, sweaty, dangerous, sexy and not shiny space.
AM: Why are you interested in doing a project underground?
ST: It is a type of residual space with which I am unfamiliar. I come from a city, Los Angeles, where going underground is a rare occurrence. Major modes of transportation, communication, and power all exist at grade along the top of the ground. Very few homes have basements. As a result, most Angelinos move through the city without any conception of what kind of world exists beneath their feet.
AM: And now that you are in New York you’ve decided to explore what lies beneath?
ST: I want to explore what has been forgotten and bring it back to our awareness for discussion and solution. The abandoned subway stations are a good start.
AM: What has your preliminary research into these stations revealed?
ST: Two things: First, some of the stations such City Hall (IRT) and the 18th Street Station have wonderfully detailed interiors. While I understand why these stations were abandoned (they could no longer service the longer, modern trains), it seems that the city could take much more pride in them as historical, architectural artifacts. Second, there is a large amount of real estate below the city which is being underutilized. Most of the stations are being used just for storage. Given their massive footprints it would seem prudent to transform these stations by inserting dynamic programs for everyday use.
AM: Do you have any ideas?
ST: I’ve toyed with a few, but the one that keeps coming up is turning the stations into partially subterranean gardens.
AM: With flowers and trees? Could plant life really grow underground?
ST: The infrastructure is already in place. Experiments with subterranean farms have yielded positive results, most notably the Parsona O2 project which is a farming complex located in Tokyo. The aim of these new gardens is not necessarily to produce commercial cash crops. Instead, the gardens will act as zones of relief from the city, much like pocket parks. Each garden can be different, some more underground than others, but all attempt to re-activate these residual spaces. It’s something I’ve never tackled before. I find it very exciting.

































